Web16 dec. 2010 · In a portfolio of ten prints, Max Klinger (1857-1920) traces the journey of a single white glove in a nightmarish landscape where the glove consumes the mind of the …Web19 jun. 2013 · Here’s Teresa Gregorio, Information Officer at the McMaster Museum of Art, talking about A Glove series, 1881, by German artist Max Klinger’s (1857-1920). In the …
Max Klinger The Glove - symbolist narrative
WebCookie settings We place functional/analytic cookies, these cookies are neccesary for proper functioning of the website and these cookies allow us to anonymously track the …WebArtist: Max Klinger (German, Leipzig 1857–1920 Großjena) Printer: Printed by F. Felsing Date: 1881 Medium: Etching, drypoint and aquatint on chine collé; first edition Dimensions: Overall: 18 5/16 x 26 in. (46.5 x 66 cm) Classification: Prints Credit Line: Purchase, The Isaacson-Draper Foundation Gift, 2009 Accession Number: 2009.51in the comfort of中文
A Glove: Prints by Max Klinger : Association of Print Scholars
WebMax Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise … WebHere, Klinger refers to the myth of Prometheus, a symbol of the artist–genius whose failure in the last sheet of the cycle points to the increasingly insignificant role of the artist in society. During a longer stay in Paris (1885–6) Klinger began to plan various sculptural projects and painted the Judgement of Paris (1885–7; Vienna, Ksthist. Web1 dec. 2024 · Provenance. Carl Otto Beyer, Leipzig; C.G. Boerner, Düsseldorf; Purchased by the NMWA, 1982. Exhibition History 1988 Max Klinger: Werke aus dem Besitz des …in the combustion chamber the blank is where